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I work in moving image media, performance, mixed media, installation and immersive environments. My production process is motivated by a drive for social sculpture, and I use my works as vehicles for revealing the macrocosmic in the microcosmic, for this aim. My work primarily focuses on cyberfeminism (in a sense of the term meant also to connote the zeitgeist of a hypermediatized, Ballardian society), utopias, psycho-geography, the politics of beauty (as it applies to human bodies and also the environments we create), female tragedies and archetypes, and the occultic implications and applications of all of these.